Wednesday, March 24, 2010

Erin Brockovich-review



ERIN BROCKOVICH (2000) is directed by Steven Soderbergh, starring Julia Roberts who won the Academy Award, Golden Globe, Screen Actors' Guild Award and BAFTA for Best Actress. Written by Susannah Grant, it is based on a true story of Erin Brockovich’s first fight against the American West Coast energy giant Pacific Gas and Electric Company (PG&E). An unemployed and single mother, outspoken and outright, with trashy clothes and earthy manners, Erin struggles to be taken seriously both, at work and in life. Also starring Albert Finney as Ed Masry, Erin’s lawyer, he hires her as his legal assistant and together they bring down a California power company accused of polluting a city's water supply. A highly interesting story line, backed with exceptionally strong and moving acting by the cast makes the movie an absolute must-watch. It’s a story from which we can all learn something; a story that inspires us to believe in the system and fight against corporate injustice on our own personal level; it’s the kind of thing which shows that each and every person can make a big difference.

Coraline-review


CORALINE (2009) is a stop-motion film directed by Henry Selick. It is based on the fantasy/horror novel by British author Neil Gaiman. The story revolves around the protagonist Coraline Jones played by Dakota Fanning, who is a brave, clever, curious and self-proclaimed 11-year-old explorer. She is aggravated by crazy grownups (as they all seem to be), not being taken seriously for her young age and outgoing demeanor, and people constantly mistaking her name for Caroline. The tagline of the movie-“be careful what you wish for” is certainly apt as the movie is about Coraline wishing her life was perfect, and about the wish coming true. Only to discover a parallel world where everybody has buttons instead of eyes, apparently caring parents who invite Coraline to stay in their world forever. As Coraline discovers that the alternate reality where she is trapped is only a trick to lure her, she relies on her resourcefulness, determination and bravery to get back home and save many others like her. With a star cast consisting of the voices of Teri Hatcher, Jennifer Saunders, Keith David and John Hodgman, the movie has won various awards including Best Feature Film at the BAFTA Children’s Award, Best Animated Female ([the character of] Coraline) at the EDA [Alliance of Women Film Journalists] Award and Best Production Design in a Feature Production at the Annie Awards

Goan Cuisines

ABSOLUTELY EVERYBODY!!

Goan cuisine is sure to leave your taste buds asking for more and there is definitely a lot to choose from for everyone

The picture- postcard paradise on the west coast of India, Goa is a perfect blend of exotic beaches, lip smacking cuisine and warm good-natured people. And all this can only come from being spoiled by nature’s bounty in this cistern of plenty: rivers and sea teeming with a variety of fish and shellfish; hillside lush with vegetation nourished by rich, red soil; and its planes a patchwork of palm-fringed paddy fields.
Goan cuisine is an art in itself. Its preparation is one of a kind and no where will you find such an array of dishes that suits everyone’s pallet.
Goan cooking is two-fold: the traditional cuisine of the Konkan region i.e. the Saraswat cuisine mainly of the Goan Hindus; and the Portuguese cuisine followed by the Goan Catholics. The Saraswat cuisine consists of a staple diet of rice, fish, vegetable and coconut that finds its way into every dish, sweet or savoury.
The Goan Portuguese cuisine is famous for its sea food which is eaten and relished by people almost religiously. A die hard non-vegetarian will have the time of his life relishing sea food ranging from sardine, Bombay duck, pomfret and mackerel to the majestic kingfish, oysters, prawns, lobsters, squids, crabs and clams of every size and colour.
Along with seafood, meat finds an almost indispensable place in Goan meals. Chicken, beef, lamb and pork are prepared with a concoction of spices that are both traditional and modern. Kashmiri chillies, bimblim, kokum, Goan jaggery and vinegar, teffla and many other spices are blended together to make pastes that go into almost every preparation. Vindalho( pork/chicken curry), Cafreal( spicy grilled/fried chicken), Xacuti(chicken/crab curry with roasted spices), Rissois(lamb/beef mince rissoles), Sorpotel( diced pork and liver in spicy curry), Recheado(fish/meat cooked with red spice paste), Pao com Chourico( Goa sausage rolls) etc are some of the most common yet most relished meals.
States Leo Pereira, manager of The Fisherman’s Wharf, Mobor in South Goa “The food here caters to everyone; whether a Kashmiri, Punjabi, Gujarati or even those from other countries. We come across people from various cultural and culinary backgrounds and no one goes back unhappy. The combination of dried and fresh spices, wines and liqueurs, and unique methods of baking and confectionery makes it a truly gourmet feast.”
For those who aren’t meat eaters, there is a wide variety of vegetarian dishes to choose from that are equally Portuguese and appetizing. Steamed cabbage, brinjals, black-eyed bean curry, drumsticks, pulao, raw mango chutneys and pickles, sweet and plain sannas (steamed rice cakes) and many more delicacies add to the richness of Goan cuisine.
Aadit and Minette Dias jointly run a catering service in Carmona, South Goa. “We get orders from all kinds of people; both vegetarian and non-vegetarian,” says Minette. “It is quite a delight cooking for people of such varied tastes. Each item is thought upon depending on the preferences of the customer. While some preparations are simple, special occasions call for elaborate meals like Galhina Cafreal or even stuffed roast suckling pig.”
People with a sweet tooth can treat themselves to various scrumptious desserts. One of the most popular Goan sweets is Bebinca, which is a layered pudding. Besides this, there is guava cheese, coconut crepes, caramel puddings, toffee, dodol (made from coconut and jaggery), rose cookies (fried waffles), and coconut and jackfruit cake.
Goan cooking, as it has evolved, is fusion cooking in its truest sense: the marrying of diverse flavours, ingredients and culinary techniques, in this case Portuguese and Konkani, to create a unique cuisine that is a satisfaction to every tongue. ▌

Men shine at women's film festival

The male population at MSU whole-heartedly participated at a film festival surrounding issues of women




Vadodara, March 14: It was a rare sight at the Urja Film Festival when an audience of interactive men joined in in the discussion about women injustice. Organized by The Women’s Studies Research Centre (WSRC), Department of Human Development and Family Studies, and Nazariya, the film festival was held at the Faculty of Family and Community Sciences of the Maharaja Sayajirao University (MSU) on Saturday.
Based on the theme of girl child, the film festival had a large number of males in the audience as well as eminent male dignitaries on the panel. The students actively participated in the debates surrounding the films that were screened. Heated arguments suggested that involvement on the part of the audience was high.
Gaurang Raval, CEO of Drishti Media and programme manager of Nazariya, was one of the panelists who stood up strongly for women’s rights and justice. Voicing his opinion, Raval declared, “Just because we are men does not mean we are not to fight for our women. It becomes our responsibility to empower women and support them. We should encourage every man who stands up against any sort of injustice and indiscrimination.”
Also present was Dr.Raja Ram, Professor of Sociology at MSU. Impressed by the response of the audience, Dr. Ram stated, “It is indeed interesting to have such a mixed audience. Having the men react so strongly to feminine issues is truly a good sign that the struggle for justice has taken a new turn. Family upbringing, support and encouragement play a tremendous role in instilling such values in the male sex.”
Pradeep Shinde, a student of Psychology and Anshuman Srivastava from WSRC at MSU, affirmed the role of a man in a woman’s battle for integrity and against prejudice and oppression. “It is occasions like these where we get to voice our opinion and actually be taken seriously,” confesses Anshuman. “It is not to be thought that supporting a feminine cause makes us less masculine. We are simply confident in what we believe in.”
The festival turned out to be quite a success with films like Bawander, Maum ki Gudiya, Drizzle and School Chale Hum being screened and professors from various faculties of the university present at the venue.▌

Itivrutt Review

AFTER REST COMES THE BEST:
The wait is over

Nishita Pereira reviews a brand new version of the lab journal of the Faculty of Journalism and Communication.




Itivrutt is out again with a whole different look. It’s in colour, it’s bold and it’s ambitious. An assortment of about 21 features, a cartoon column and a poem; it is a literary treat that can be enjoyed in small doses. With the students working on the paper since October 2009, the effort put in is evident and truly commendable.
Firstly, the stories. Each story is written in a different style, yet follows a pattern that runs throughout the paper. The technique of writing reflects the personality of the writers and their approach to the topic is varied. The issues are contemporary yet carry universal appeal. They’re both solemn and blithe. They range from religion, politics, education and economics to rock music, fashion and advertising. There are also a few humanity stories that add a certain level of maturity to the paper. Every story is backed with sufficient facts, case studies and illustrations, and has multiplicity of opinion that may or may not be a good thing.
Having worked with the software QuarkXPress 5- the world’s most widely used professional page-layout software, this has been the first batch to have done so. This has enabled the students to deliver an accurate, relevant and attractive journal. Moreover, for the first time, Itivrutt was printed in the industrial manner as opposed to the previous issues which were printed at the University Press. It gives it a vibrant and crisp look. All of this asserts the seriousness and dedication of the students.
Another change from the earlier issues is that the paper is now a 12 paged journal compared to the usual 10 pages.
The language is simple and plain that may also come across as amateurish. Whether it is deliberate or whether the writers need to improve their language skills is a decision left to the readers.
Editorially, the paper has its flaws. There are many areas that have been overlooked. Grammatical errors are unmistakable and careless. The placement of stories and photographs as well as non-uniformity of font and design gives it an unprofessional look. The variety or choice of colours is a hindrance to the eyes.
The faculty pages seem to act as an excellent aid to the senior students, in terms of placements in the media industry. However, it fails to do much for the current juniors. With the look and read of a school magazine, it does not support the rest of the paper.
By and large, over looking some of the imperfections, the paper is above satisfactory and worth the effort. It makes for an enjoyable read and will attract readers of all ages. Congratulations to the writers on the successful completion and release of the faculty journal.



Writers- Students of the Faculty of Journalism and Communication, Batch 2009-11
Printer- Jay Printers
Number of pages- 12

Saturday, March 13, 2010

SHE'S NOT JUST A PRETTY FACE



Today I attended a film festival called 'Urja' organized by the Women's Studies Research Center, Department of Human Development and Family Studies and Nazariya. The theme was Girl Child. They screened various movies on social issues like women oppression, women injustice, women empowerment, girl education, gender bias, portrayal of women in society etc. Movies such as Bawander by Jag Mundhre, Maum ki Gudiya, Drizzle by Ahsam K R, Girl Stars by UNICEF and School Chale Hum by Kanika and Bharatbala were shown. Each movie was followed by a discussion between eminent panelists and the audience, that included feedback on the movies, personal experiences, suggestions etc...
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All of this could go into the papers tomorrow and no one would care..its objective, impersonal and indifferent..its almost as personal as me writing about the gravel in my shoe..who cares about what happened at the film festival?! what i care about is what comes after the films? what after the discussions? what after the debates? are we just going to go home thinking "hmmm i wasted my day.." or "hmmm good movies..." but then what??? what difference are we going to make in the world by just viewing 3-4 movies on women injustice? there are millions of women out there LIVING those movies..but what about them? what can we do? we might not be able to change each and everyone of them..heck!we wont be able to change even One. but what we can change is our mind..our thinking..our behaviour..our attitude..both towards women and men..

our fight isn't against the men who oppress women or harass them..once upon a time this was our struggle..it still is..but what's more important now is the fight to Support those men who believe in equality for women.to let them know that its OK to think of women as an equal.to let them know that just by doing a woman's task of buying vegetables to help his wife, doesn't mean that he's not manly enough. to let them know that just by being a subordinate to a female boss at work doesn't make him any less competent.. we have always fought against men trying to put us women down. today we fight to encourage those men who are willing to treat women just as good as any other man.

we've always been protesting against the fact that women aren't given equal rights at various places. trying to shout out against gender discrimination and bias.. we open women's protection cells, women's grievances cells and promise to solve any kind of problem that any girl or woman is facing..but how much does it really help? in my opinion (and this is truly my sole opinion, we're simply making poor harassed and oppressed women dependent on the women activists..what we really need is to not to make them realize that men are wrong..what they need to understand and believe first is that THEY'RE RIGHT..they need to believe in themselves..to know their own strengths..their own needs..their own ideals..merely fighting against the men isn't enough..fight against every part of your self that tells you you're not good enough.revolt against forces that make you feel you're in anyway inferior to men. throw away every thought that tells you you cant do the things men can.your own confidence and belief will do half the work..if you're convinced that you're just as good as the men, it'll fill you with a sense of power that'll enable you to take on the men in a completely different and easy manner..show them that you can do anything they can..know inside your heart, and believe, that even YOU deserve every opportunity given to HIM..

as i heard everybody in the audience and on the panel talk about all the things women can do, and are good at, i was reminded of a song by Shania Twain. its called "SHE'S NOT JUST A PRETTY FACE". it goes like this:


She hosts a T.V. show--she rides the rodeo
She plays the bass in a band
She's an astronaut--
a valet at the parking lot
A farmer working the land
She is a champion--she gets the gold
She's a ballerina--the star of the show

She's--not--just a pretty face
She's--got--everything it takes

She has a fashion line--
a journalist for "Time"
Coaches a football team
She's a geologist--a romance novelist
She is a mother of three
She is a soldier--she is a wife
She is a surgeon--she'll save your life

She's--not--just a pretty face
She's--got--everything it takes
She's--mother--of the human race
She's--not--just a pretty face

She is your waitress--she is your judge--
she is your teacher
She is every woman in the world

She flies an airplane--
she drives a subway train
At night she pumps gasoline
She's on the council--she's on the board
She's a politician--she praises the Lord

No, she's (she's) not (not)--
just a pretty face
She's (she's) got (got)--everything it takes
She's--not--just a pretty face
She's got everything it takes
She's not just a pretty face

Thursday, January 7, 2010

the ugly truth


A week in the Dangs and you lose complete faith; faith in things that mean the most to you; faith in the Government, faith in god, faith in humanity. And yet, at the end of it all, you take it just as you’ve taken every tragedy that has not happened to YOU- as a story.
The people of dang are the friendliest people you’ll ever get the chance to meet. They’ll greet every stranger with a smile on their face.
But what you don’t see is how the smile never reaches their eyes. What you don’t see is that these eyes have shed tears you will never understand. What you don’t see is the heart inside that skips a beat when anything or anyone new comes. What you don’t see is the endless stream of hope within them that is probably at the brink of being dried up. What you don’t see is the Faith.
Under the pretext of urbanization and development, the people here have been forced to give up everything they had to call their own. And still, after endless promises by the government, after countless welfare schemes, after numerous agitations and protests, things are just the same, if only worsened further.
Chaggan Bhai is a frail man of about 80 and behind his strong voice that echoes in anger, you can hear the pain. “What Government are you talking about? The one that doesn’t put food on our plates? Or the one that runs its hospitals like a shop?”
Kiran Singh Yashwantrao Pawar- the Ghadvi King, shrugs helplessly when you ask him if he’s happy here. A man of few words, Kiran Singh is a king only by name. He has no power, no money and no options. Yet, what he does have, are aspirations. “I want my children to go out of this place. There is no future for them here. I want them to study and prosper. I want to help my people come out of their sufferings. But what can I do? I’m just a commoner, tending to my fields like everyone else.”
Bharat Bhai and Laxman Bagol, both journalists here, have tried their best to use the media to bring to light some of the problems that the people of Dang are facing. But their complaints are the same. “Crime sells, not humanity stories”, confesses BharatBhai. “Nobody wants to know of the hardships in a tiny place like this. I, too, have to earn a living. So I can only give the media houses what they ask for.”
Affirming this, Bagol says, “Even if we write or cover the issues in Dang, the media houses don’t accept them. They either put a stop to the story or just ignore them.”
Through literacy programmes, the Government wants to bring about refinement in this society. But what good is an education when the people here have no jobs available? What’s the use of an education when after sitting literate but idle at home, the child is no good at farming because he was never trained for it? Education is a waste of time when life can teach you more than a book ever will. How are Newton and Shakespeare and Einstein supposed to fill the stomachs of hundreds of starving families?
The Government talks of equal rights for men and women, and to shut the questions of women’s rights activists, reserves 10% seats for them in the Panchayat. But where is the power?? While the women sit like flower pots at the Panchayati meet, the men make the decisions on their behalf.
People in the city grumble at the mention of reservation for SCs and STs in govt.jobs. But you now realize why they’re needed: 98% of the population in the Dangs is tribal, and yet not a single seat is reserved for them in the Forest Dept.
Talking about forests, the Government, on one hand, is cutting off the lifeline of the tribals by clearing out vast expanse of forest for its own needs, and on the other hand, pays peanuts as compensation. A mere sum of Rs 110/- is pad for 1 tonne of bamboo, when in the market, even a palm sized lampshade doesn’t cost below Rs 100/- . The tribals earn a living by selling things they themselves cannot afford to buy.
The Nirmal Gram Yojna was formulated to bring about cleanliness and sanitation in Gujarat. Under this scheme, the Government undertook the responsibility of ensuring personal hygiene, solid waste disposal, grey water renewal, construction of toilets and bathrooms, etc.
People, who, all their lives, have been attending to nature’s call out in the open fields are suddenly forced into a confined block of concrete.
But let’s be fair; the government atleast made an effort.
The question is: how much of an effort?
Kalpana Bhagre, a teacher in a school in Jamlapada, reveals, “The Government promised Rs 20,000/- to make toilets in each school that falls in the APL (Above Poverty Line) category. So far, we’ve only received Rs 14,000/-.”
The ‘toilets’ that are made are mere pits in the ground, with either just sheets of asbestos surrounding it (left at the mercy of the wind) or sometimes not even that. The pits are made at such a low level that they are easily flooded in the monsoons and people have no other option but to go out in the open.
Even the National Rural Employment Guarantee (NREG) payments have been delaying by a minimum of three years and this is the case in almost every Panchayat.
This is development for you; progress, refinement, urbanization and modernization. No doubt the Government of India has good intentions. But how can someone, sitting in an A.C. office in Delhi, sipping imported tea and dressed in an Armani suit, make decisions for someone living in a remote village without electricity, whose dreams also are not on the same wavelength as the Delhi-man’s reality??
And why design countless projects to bring about a change in these people’s lives when all that this change is bringing to them is starvation, disease and unemployment?
They were happy without your interference; without all those false promises. And today, they’re so accustomed to the govt.’s pledges of development that despite losing everything they had, they still have one thing left: HOPE. Hope that someday the govt. will give them what’s been promised. Hope that their children will see a better tomorrow. Hope that justice will be brought to those who’ve waited in vain for the change they’ve been forced to dream of. Hope that every new person they smile at tomorrow will someday deliver the good news that life is still worth living.
However, the words of Bipin Bhatt, the Director of the District Rural Development Authority of Dang, bring you back to reality: “any effort made to bring about a change in dang is like tossing a pebble into the river; the ripples it creates are only temporary. Today you are inspired to work for the upliftment of dang, but believe me, its only temporary.”